BJ Richardson

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Much of the architecture, clothing, technology, and even skin tones of biblical characters—Jesus included—looked European to emphasize that the story of Scripture applied to people in their context. Depicting Jesus as he actually was—a Middle Eastern, dark-skinned Jew—wasn’t a value at that time because the goal of art wasn’t historical accuracy; it was accessibility.
Rembrandt Is in the Wind: Learning to Love Art through the Eyes of Faith
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