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These basic ideas—that at the heart of a character was action, that action arose as a result of problems, that those problems could be determined through careful textual analysis and interpretive creativity, and that they could be phrased as infinitive verbs—were Richard Boleslavsky’s great gift to America. For much of the twentieth century, they became the standard by which character was explored and acting taught.
The Method: How the Twentieth Century Learned to Act
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