The Da Vinci Code (Robert Langdon, #2)

by Dan Brown

Symbologists often remarked that France—a country renowned for machismo, womanizing, and diminutive insecure leaders like Napoleon and Pepin the Short—could not have chosen a more apt national emblem than a thousand-foot phallus.

Measure the distance from the tip of your head to the floor. Then divide that by the distance from your belly button to the floor.

Measure the distance from your shoulder to your fingertips, and then divide it by the distance from your elbow to your fingertips. PHI again. Another? Hip to floor divided by knee to floor. PHI again. Finger joints. Toes. Spinal divisions. PHI. PHI. PHI. My friends, each of you is a walking tribute to the Divine Proportion.”

art is man’s attempt to imitate the beauty of the Creator’s hand,

“Transmogrification,” Langdon said. “The vestiges of pagan religion in Christian symbology are undeniable. Egyptian sun disks became the halos of Catholic saints. Pictograms of Isis nursing her miraculously conceived son Horus became the blueprint for our modern images of the Virgin Mary nursing Baby Jesus. And virtually all the elements of the Catholic ritual—the miter, the altar, the doxology, and communion, the act of “God-eating”—were taken directly from earlier pagan mystery religions.”

Metaphors are a way to help our minds process the unprocessible. The problems arise when we begin to believe literally in our own metaphors.”