Catherine the Great: Portrait of a Woman

by Robert K. Massie

Johanna’s mixed feelings about her daughter, now the central figure in this ceremonial pageantry, should have been mollified when Elizabeth went out of her way to be gracious to a woman she despised. In the cathedral, the empress had prevented Johanna from kneeling before her, saying, “Our situation is the same; our vows are the same.” But when the ceremony was over, with the cannon thundering, the church bells pealing, and the court moving to the adjacent Granovitaya Palace for the betrothal banquet, Johanna’s unhappiness burst out. By rank, the bride’s mother could not sit at the imperial table with the empress, the grand duke, and the newly proclaimed grand duchess. When this was explained to her, Johanna protested, declaring that her place could not be among mere ladies of the court. The master of ceremonies was uncertain what to do, and Catherine witnessed and suffered her mother’s behavior in silence. Elizabeth, again infuriated by the presumption of this ungrateful, deceitful guest, ordered a separate table set up in a private alcove where Johanna could watch from a window.