Catherine the Great: Portrait of a Woman

by Robert K. Massie

The climax to this display of mockery came on the day Elizabeth’s body was moved from the Kazan Cathedral, across the Neva River bridge, to the mausoleum on the island fortress of St. Peter and St. Paul. Peter, conspicuously alone, walked immediately behind the coffin. He wore a black mourning robe with a long train, carried by elderly noblemen. The new emperor’s prank was to lag behind, then stop completely until the coffin had advanced thirty feet ahead of him. Then, with long strides, he would hurry forward to catch up. The older men, unable to manage the emperor’s pace, were forced to let go of his train and let it flap wildly in the wind. Delighted by their embarrassment, Peter repeated this sequence over and over. This grotesque buffoonery by a man almost thirty-four years old, walking at the funeral of the woman who had made him an emperor, shocked everyone: the noblemen walking in the procession, the officers and soldiers lining the route, and the crowds of people watching.