Catherine the Great: Portrait of a Woman

by Robert K. Massie

When they reached her private apartment, her little Italian greyhound began to bark furiously at Horn, but when it saw Poniatowski, it greeted him with a frantically wagging tail.

“My friend,” he said, “there is no worse traitor than a small lapdog. The first thing I always do when I am in love with a woman is to give her one of these little dogs. This way, I can always discover whether there is someone more favored than myself. The test is infallible. As you saw just now, the dog wanted to bite me because I am a stranger, but when it saw you, it went mad with joy.”

“Why is almost the whole earth governed by monarchs?” Voltaire asked. “The honest answer is because men are rarely worthy of governing themselves.… Almost nothing great has ever been done in the world except by the genius and firmness of a single man combating the prejudices of the multitude.…

A general emancipation from the unbearable and cruel yoke will not ensue … [but] if we do not agree to the diminution of cruelty and the amelioration of the intolerable position of the human species, then, even against our will, they themselves will seize it sooner or later.

Catherine was more than a collector; she was also a builder. It was through architecture as well as her collection of paintings that she was determined to leave on St. Petersburg a cultural mark that time would not obliterate. During her reign, architects of genius were commissioned to create elegant public buildings, palaces, mansions, and other structures, all examples and reminders of the larger world she wished Russia to join.

To her friend Frau Bielcke, she wrote: “Madame, you must be gay; only thus can life be endured. I speak from experience for I have had to endure much, and have only been able to endure it because I have always laughed whenever I had the chance.”