The Cloisters, I knew, had been brought into being—like so many institutions—by John D. Rockefeller Jr. The robber baron’s son had transformed sixty-six isolated acres and a small collection of medieval art into a fully realized medieval monastery. Crumbling remnants of twelfth-century abbeys and priories had been imported throughout the 1930s from Europe and rebuilt under the watchful eye of architect Charles Collens. Buildings that had been left to the ravages of weather and wars were reassembled and polished to a new-world sheen—entire twelfth-century chapels restored, marble colonnades
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