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time is nothing to me but a series of bookmarks that I use to jump back and forth through the text of my life, returning again and again to the events that mark me, in the eyes of my more astute colleagues, as bearing all the characteristics of the classic melancholic.
If time for me really is a series of bookmarks, then I feel as if someone has shaken the book and those yellowed slips of paper, torn matchbook covers and flattened coffee stirrers have fallen to the floor, and the dog-eared flaps have been pressed smooth.
“But do we lose our past to assure our future?” Chuck flicked his cigarette out into the foam. “That’s the question. What do you lose when you sweep a floor, Teddy? Dust. Crumbs that would otherwise draw ants. But what of the earring she misplaced? Is that in the trash now too?”
waking, after all, was an almost natal state. You surfaced without a history, then spent the blinks and yawns reassembling your past, shuffling the shards into chronological order before fortifying yourself for the present.
The idea is to obfuscate. Confuse the listener until they believe out of exhaustion more than any sense of truth.
We were supposed to grow old together, Dolores. Have kids. Take walks under old trees. I wanted to watch the lines etch themselves into your flesh and know when each and every one of them appeared. Die together.
Charm was the luxury of those who still believed in the essential rightness of things. In purity and picket fences.
“God gives us earthquakes, hurricanes, tornadoes. He gives us mountains that spew fire onto our heads. Oceans that swallow ships. He gives us nature, and nature is a smiling killer. He gives us disease so that in our death we believe He gave us orifices only so that we could feel our life bleed out of them. He gave us lust and fury and greed and our filthy hearts. So that we could wage violence in His honor. There is no moral order as pure as this storm we’ve just seen. There is no moral order at all. There is only this—can my violence conquer yours?”

