PAT MOORE

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She leans back into the wall. She’s no longer there. Her mother is lifting her up, spinning her around and laughing. The warm tongue of a dog licks her arm. There’s a rush of air as a snowball flies past her face. She slips on someone else’s blood and lands on her side, a severed arm almost touching her nose. In a movie theater, a boy she likes kisses her and puts his hand on her stomach. She exhales, and pulls the trigger.
The Cellist of Sarajevo
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