Grapes of Wrath

by John Steinbeck

“I figgered about the Holy Sperit and the Jesus road. I figgered, ‘Why do we got to hang it on God or Jesus? Maybe,’ I figgered, ‘maybe it’s all men an’ all women we love; maybe that’s the Holy Sperit—the human sperit—the whole shebang. Maybe all men got one big soul ever’body’s a part of.’ Now I sat there thinkin’ it, an’ all of a suddent—I knew it. I knew it so deep down that it was true, and I still know it.”

The tenant men squatted down on their hams again to mark the dust with a stick, to figure, to wonder. Their sunburned faces were dark, and their sun-whipped eyes were light.

The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it—straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractors, the monster that sent the tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him—goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land.

Fancy Ford roadster with little colored lights at fender guide, at radiator cap, and three behind.

“Pu-raise Gawd fur vittory.”

“An’ I got thinkin’, on’y it wasn’t thinkin, it was deeper down than thinkin’. I got thinkin’ how we was holy when we was one thing, an’ mankin’ was holy when it was one thing. An’ it on’y got unholy when one mis’able little fella got the bit in his teeth an’ run off his own way, kickin’ an’ draggin’ an’ fightin’. Fella like that bust the holiness. But when they’re all workin’ together, not one fella for another fella, but one fella kind of harnessed to the whole shebang—that’s right, that’s holy. An’ then I got thinkin’ I don’t even know what I mean by holy.”

Maybe we can start again, in the new rich land—in California, where the fruit grows. We’ll start over. But you can’t start. Only a baby can start. You and me—why, we’re all that’s been. The anger of a moment, the thousand pictures, that’s us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can’t start again. The bitterness we sold to the junk man—he got it all right, but we have it still. And when the owner men told us to go, that’s us; and when the tractor hit the house, that’s us until we’re dead. To California or any place—every one a drum major leading a parade of hurts, marching with our bitterness. And some day—the armies of bitterness will all be going the same way. And they’ll all walk together, and there’ll be a dead terror from it.

How can we live without our lives? How will we know it’s us without our past? No. Leave it. Burn it.

“No, I won’t. I can’t go away. I got to stay now. Time back I might of went. But not now. Fella gits to thinkin’, an’ he gits to knowin’. I ain’t never goin’.”

“Ain’t you thinkin’ what’s it gonna be like when we get there? Ain’t you scared it won’t be nice like we thought?” “No,” she said quickly. “No, I ain’t. You can’t do that. I can’t do that. It’s too much—livin’ too many lives. Up ahead they’s a thousan’ lives we might live, but when it comes, it’ll on’y be one. If I go ahead on all of ‘em, it’s too much. You got to live ahead ‘cause you’re so young, but—it’s jus’ the road goin’ by for me.

And this you can know—fear the time when Manself will not suffer and die for a concept, for this one quality is the foundation of Manself, and this one quality is man, distinctive in the universe.

If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know that Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into “I,” and cuts you off forever from the “we.”

Need is the stimulus to concept, concept to action.

so that a man might have a willing girl if he stayed with her, if he fathered her children and protected them. But a man might not have one girl one night and another the next, for this would endanger the worlds.

The wills thrust westward ahead of them, and fears that had once apprehended drought or flood now lingered with anything that might stop the westward crawling.

And on the road the panic overcame some of the families, so that they drove night and day, stopped to sleep in the cars, and drove on to the West, flying from the road, flying from movement. And these lusted so greatly to be settled that they set their faces into the West and drove toward it, forcing the clashing engines over the roads.

And perhaps a man brought out his guitar to the front of his tent. And he sat on a box to play, and everyone in the camp moved slowly in toward him, drawn in toward him. Many men can chord a guitar, but perhaps this man was a picker. There you have something—the deep chords beating, beating, while the melody runs on the strings like little footsteps. Heavy hard fingers marching on the frets.

But along the highway the cars of the migrant people crawled out like bugs, and the narrow concrete miles stretched ahead.

“When you’re young, Rosasharn, ever’thing that happens is a thing all by itself. It’s a lonely thing. I know, I ‘member, Rosasharn.”

Don’t worry yourself, Rosasharn. Take your breath in when you need it, an’ let go when you need to.”

And the great owners, who must lose their land in an upheaval, the great owners with access to history, with eyes to read history and to know the great fact: when property accumulates in too few hands it is taken away. And that companion fact: when a majority of the people are hungry and cold they will take by force what they need. And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed.

There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate—died of malnutrition—because the food must rot, must be forced to rot.

If a fella owns a team a horses, he don’t raise no hell if he got to feed ‘em when they ain’t workin’. But if a fella got men workin’ for him, he jus’ don’t give a damn. Horses is a hell of a lot more worth than men. I don’ understan’ it.”