The Honeys

by Ryan La Sala

Death isn’t the end of a life, but the division of it. When someone dies, their soul scatters into all the things they’ve ever given away. Love. Bruises. Gifts. You struggle to piece together what’s left—even the things that hurt—just to feel haunted.

But so much worse are the small, infuriatingly small gaps—really just pinprick holes—that Caroline leaves everywhere else. Emptiness, fired through my memories like buckshot, so scattered that I can’t quantify what’s gone. I can’t count it. I can’t measure it. My sister becomes a constellation of voids.

I know people think being queer is, like, very fabulous and full of witty repartee and all that, but sometimes it’s also crying in the bathroom of an Applebee’s somewhere near Margaretville, New York, while Rihanna’s “S&M” plays on the speakers for the early-bird crowd.

Maybe, in the end, they knew her just as well as I did. Or maybe none of us knew her, and we’re making her up now. A girl in the shape of our guilt.

I leave the lip gloss on. Bright things in nature are often poisonous. Let that be my defense, then. Let Aspen watch, and predators prowl, and all the waiting jaws yawn wider. I will be a ruin to consume.

The monsters worth fearing are the ones that are dangerous enough to hide in daylight.