All about Me!: My Remarkable Life in Show Business

by Mel Brooks

I cut my finger, that’s tragedy. Comedy is if you walk into an open sewer and die.

Amazing

Comedy is a very powerful component of life. It has the most to say about the human condition because if you laugh you can get by. You can struggle when things are bad if you have a sense of humor. Laughter is a protest scream against death, against the long goodbye. It’s a defense against unhappiness and depression.

Amazing book so far

Failure is vital. It is an incredibly important quotient in the equation of a career. After you wipe away your tears, it’s not a bad experience and under the right circumstances it will make you better, both as a person and as an artist. I think it’s important to fail, especially between the ages of twenty and thirty. Success is like sugar. It’s too good. It’s too sweet. It’s too wonderful and it burns up very quickly. Failure is like corned beef hash. It takes a while to eat. It takes a while to digest. But it stays with you.

think there is a saying that goes like this: It’s a stormy wind that doesn’t blow somebody some good.

Good quote

Carl was an immediate and intuitive foil and partner, feeding off my energy and adding to it. I once took Scotch tape and attached my nose to my cheek, my lower lip to my chin, and an eyebrow to my forehead. I looked cruelly disfigured. I burst into the writers’ room, and Carl immediately nurtured the bit: Carl: How did it happen? Who did that to you? Mel: The Nazis! They did it to me. Threw me in a ditch and did it! Carl: You mean they beat you? Disfigured you? Mel: Oh no. They took Scotch tape and stuck it all over my face. Carl broke up and hit the floor, clutching his belly and laughing like crazy. For me that was a home run. Anytime I could make Carl laugh, I knew I had a winner.

This rules

In every classic comedy duo, from Laurel and Hardy to Abbott and Costello to Martin and Lewis, in order for the exchange to work, the quality of the straight man had to be as dynamic as that of the funny guy. Carl was the best at this. I could use a single question as a springboard to unplanned exposition and tangents that would be as much of a surprise to Carl as they were to the audience. Carl was a gifted partner: While he deferred the punch lines to me, he knew me well enough to follow along and cross paths enough to set me up for more opportunities. He also knew he could throw me a complete curveball and I’d swing for the fences. We were a great ad-libbed high-wire act, and like the best high-wire acts, ours was dependent upon complete trust and respect for each other. Carl once said, “A brilliant mind in panic is a wonderful thing to behold.”

So much good stuff here. This explains how Spinal Tap worked so well with (his son) Rob Reiner—along with Best in Show, etc. I never put that together before. 2000 year old man led directly to Spinal Tap, in a way!