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These were annoyances a good-looking twelve-year-old boy in Los Angeles simply learned to put up with, the way a pretty woman learns to put up with being groped occasionally on the subway. You eventually find a way to cope without letting it spoil your whole day. The deliberate passes, such as the one this Ferguson was making, were less of a problem than the sudden gropes from ambush. They could simply be shunted aside.
Great minds run in the same channel, can you say amen.
“That’d be so great,” Richard said with a wistfulness that was heartbreaking.
I kinda love that Sloat the Younger is a total flop and nerd. Its another nice character contrast to Jack who is now like fully invested in the plot's crazy. Its not as active of a connection like it was with Wolf but nice to have another foil to jacky so quickly
“Yes. It is their word for one who is hard to see, no matter how hard ye look for that one. Invisibility is impossible—so the Wolfs say—but one can make himself dim if only he knows the trick of it. Most Wolfs do, and this little whoreson knew it, too. So all I remember is how thin he was, and that floating eye, and that he was as ugly as black, syphilitic sin.”
Jack looked up sharply at the horizon, imagining that he had momentarily seen the round shape of a head peering over it. And then he had another of those shocks of a sudden displacement, similar to that the Loch Ness monster, or whatever it was, had given him. How could a head peer over the horizon, for God’s sake?
Jack opened his mouth and cried out: for Uncle Tommy Woodbine, run down in the street; for an unknown carter, whipped to death in a muddy courtyard; for Ferd Janklow; for Wolf, dead in Sunlight Gardener’s filthy office; for his mother; but most of all, he discovered, for Queen Laura DeLoessian, who was also his mother, and for the crime that was being carried out on the body of the Territories. He cried out as Jason, and his voice was thunder. “TEAR THEM UP!” Jack Sawyer/Jason DeLoessian bellowed, and opened fire on the left.
Then Richard fell on his knees with his hair in his tired face, and Jack got down there with him, and I can bear to tell you no more—only that they comforted each other as well as they could, and, as you probably know from your own bitter experience, that is never quite good enough.
Richard saw the sign first—a simple whitewashed square of wood painted with black letters. It stood on the left side of the tracks, and ivy had grown up its post, as if it had been here for a very long time. The sentiment, however, was quite current. It read: GOOD BIRDS MAY FLY; BAD BOYS MUST DIE. THIS IS YOUR LAST CHANCE: GO HOME.
“Two Morgans, or dozens. It doesn’t matter. Two Lilys, or dozens—dozens of Queens in dozens of worlds, Richard, think of that! How does that mess your mind? Dozens of black hotels—only in some worlds it might be a black amusement park . . . or a black trailer court . . . or I don’t know what. But Richard—”
Like that, he thought, but somehow he knew it wasn’t; and although he couldn’t remember exactly what had caused the joy, he, like Donny Keegan, never forgot the way the joy had come, all deliciously unbidden—he never forgot that sweet, violent feeling of having touched some great adventure, of having looked for a moment at some beautiful white light that was, in fact, every color of the rainbow.
Morgan tripped him up as easily as a schoolyard bully trips up a younger boy in the play-yard. After Smokey Updike, and Osmond, and Gardener, and Elroy, and something that looked like a cross between an alligator and a Sherman tank, all it really took to bring him down was overweight, hypertensive Morgan Sloat crouched behind a rock, watching and waiting for an overconfident boy named Jack Sawyer to come boogying right down on top of him.
You learned these things, or you died somewhere out in the world where there was no clear light.
Most of the characters who perform in this book still live, and are prosperous and happy. Some day it may seem worthwhile to take up the story again and see what . . . they turned out to be; therefore, it will be wisest not to reveal any of that part of their lives at present. —MARK TWAIN, Tom Sawyer