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How else do we return to ourselves but to fold The page so it points to the good part
childhood is only a cage that widens
to leap from the bridge I’ve made of my wrongs
Can you believe my uncle worked at the Colt factory for fifteen years only to use a belt at the end?
Because what I did with my one short beautiful life— was lose it on a winning streak.
Sara I messed up I’m trying to stay clean but my hands are monsters who believe in magic
your aunt Rose gone two years now like a trick they forgot to finish
Words, the prophets tell us, destroy nothing they can’t rebuild.
When they ask me what it’s like, I tell them imagine being born in a hospice in flames.
I guess what I mean is that I ate the apple not because the man lied when he said I was born of his rib but that I wanted to fill myself with its hunger for the ground, where the bones of my people still dream of me.
I want to take care of our planet because I need a beautiful graveyard.
My favorite kind of darkness is the one inside us, I want to tell him.
Given another chance, I’d pick the life where I play the piano in a room with no roof. Broken keys, Bach sonata like footsteps fast down the stairs as my father chases my mother through New England’s endless leaves.
Maybe, like you, I was one of those people who loves the world most when I’m rock-bottom in my fast car going nowhere.
I promise you, I was here. I felt things that made death so large it was indistinguishable from air—and I went on destroying inside it like wind in a storm.
Because everyone knows yellow pain, pressed into American letters, turns to gold. Our sorrow Midas touched. Napalm with a rainbow afterglow.
In my language, the one I recall now only by closing my eyes, the word for love is Yêu. And the word for weakness is Yếu. How you say what you mean changes what you say.
I am wrong often—but not enough to forget you.
I come from a people of sculptors whose masterpiece was rubble.