Leanne

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Doyle wasn’t okay. Larkin understood that now, because he used those same coping tricks. But Doyle had also seen the light. He wasn’t afraid of the extremes, of feeling happiness, of being alive. He’d been standing in that deep dark hole and thought to look up. And that was the kind of man Larkin wanted in his life—in whatever capacity Doyle was willing to share himself.
Madison Square Murders (Memento Mori, #1)
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