Alec Piergiorgi

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It’s calling out to me, Mariye had said. Like a caged bird crying to be set free. The more I studied the painting the more I realized Mariye had hit the nail square on the head—something was desperately struggling to escape that enclosed space. It longed for a place less confined, for freedom. It was the strength of that will that gave the painting its impact. Whether we understood the meaning of the bird and the cage or not.
Killing Commendatore
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