Another movie from this period, Neil LaBute’s In the Company of Men, was more nuanced and (perhaps) even more traumatizing. Two nondescript businessmen are temporarily assigned to a branch office in a nameless city (here again, the unspoken message is that these men could be any men, and that this story could happen in any place). One man, Chad, is good-looking, misanthropic, and dominant. He represents the worst possible version of masculinity. The second man, Howard, is submissive and weak. Both are angry at women. Chad convinces Howard that they should play a game on this business trip:
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