Nahman’s stories are not always to be believed—even less so when he writes them down. He has a propensity for exaggeration. He detects signs in everything; in everything, he seeks and finds connections. What happens is never quite enough for Nahman—he wants what happens also to have some heavenly, definitive meaning. He wants it to be meaningful, to have consequences for the future—wants even minor causes to provoke great effects. This is why he slumps so often into melancholy—has
