Evan Wondrasek

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Harrell is from Dallas, an amateur painter and a thin, soft-spoken fellow who you must sometimes lean forward to hear. When you do, you perceive a lawyerly care to avoid inflammatory, adjective-laden language; to stick to the facts that documents reveal and, above all, not speak outside what he calls “the four corners of the complaint” against any company under investigation, particularly when talking to a journalist.
The Least of Us: True Tales of America and Hope in the Time of Fentanyl and Meth
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