More on this book
Community
Kindle Notes & Highlights
I’m broken in two, the message said. In two, it was the only thought I could keep, sitting in my seat, how losing a person could make more of us, the living, make us two.
You killed that poem, we say. You’re a killer. You came in to that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I’m wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. “Good for you, man,” a man once said to me at a party, “you’re making a killing with poetry. You’re knockin’ ’em dead.”
To ask What’s good? was to move, right away, to joy. It was pushing aside what was inevitable to reach the exceptional. Not great or well or wonderful, but simply good. Because good was more often enough, was a precious spark we sought and harvested of and for one another.
—
If, relative to the history of our planet, an individual life is so short, a blink of an eye, as they say, then to be gorgeous, even from the day you’re born to the day you die, is to be gorgeous only briefly.
Because the sunset, like survival, exists only on the verge of its own disappearing.
To be gorgeous, you must first be seen, but to be seen allows you to be hunted. —