Slaughterhouse-Five

by Kurt Vonnegut Jr.

Roland Weary and the scouts were safe in a ditch, and Weary growled at Billy, “Get out of the road, you dumb motherfucker.” The last word was still a novelty in the speech of white people in 1944. It was fresh and astonishing to Billy, who had never fucked anybody—and it did its job. It woke him up and got him off the road.

The real Iron Maiden was a medieval torture instrument, a sort of boiler which was shaped like a woman on the outside—and lined with spikes. The front of the woman was composed of two hinged doors. The idea was to put a criminal inside and then close the doors slowly. There were two special spikes where his eyes would be. There was a drain in the bottom to let out all the blood. So it goes.

was only one other patient waiting—an old, old man. The old man was in agony because of gas. He farted tremendously, and then he belched. “Excuse me,” he said to Billy. Then he did it again. “Oh God—” he said, “I knew it was going to be bad getting old.” He shook his head. “I didn’t know it was going to be this bad.”

Echolalia is a mental disease which makes people immediately repeat things that well people around them say. But Billy didn’t really have it. Rumfoord simply insisted, for his own comfort, that Billy had it. Rumfoord was thinking in a military manner: that an inconvenient person, one whose death he wished for very much, for practical reasons, was suffering from a repulsive disease.