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And finally, there’s another string I can’t pull my gaze from in this tangle of connections. It’s a bright, electric blue, and it’s gossamer thin, but it is very definitely there. And it’s glowing ever so slightly. And somehow I know, even before I reach out a fingertip to touch it, that it connects to me.
Hunger is a wild animal within me, clawing at my guts. Tearing at my soul with every breath I take. I can keep it in check, but not if I drink from Grace. Not if I taste her. She thinks I’m being stubborn, but she has no idea what’s inside me at this very moment.
does he end up taking too much? is that why he always freaked about how much blood he took in the previous books?
One of the portraits showcases Souil holding a tennis racket, wearing the shortest white tennis shorts I’ve ever seen in my life. But my personal favorite—in an “oh my God that can’t be real” kind of way—is the center one, where he’s wearing a bright red caftan and lying down in a full centerfold pose.
We turn as one to find Souil standing on the center landing of the circular staircase in a white disco suit à la John Travolta in Saturday Night Fever. Although standing might be a bit of an exaggeration, since he’s currently draped along the banister like he’s having a sudden attack of the vapors—or posing for Playboy.
“Careful, Grace. You keep trying to cover me up, and I’m going to start thinking my half-naked physique makes you uncomfortable,” I tease. “It does,” she answers, deadpan. “It makes me want to climb you like a tree, wrap my legs around your hips, and persuade you to have your way with me.”

