“You still can’t paint?” Bennett asks carefully. I shake my head. He knows the financial and professional situation I’m in, that this crisis at the A-frame could not have come at a worse time. Normally, faced with this predicament, I’d paint a few solid pieces, have a quick show and sale, and I’d be fine. Until recently, after having sold my art at a level that I never used to dream I could, I had a shit ton of money saved, and it would have been no problem. I put some of it into A-frame repairs that I hired Parker and Bennett’s crew for a few months ago, but once I’d addressed the most
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