Someone had carved, in heartbreaking detail, a mired dragon. The thing’s wings were half spread and its half-lidded eyes were rolled up in agony. A human rider, a young woman, bestrode it. She clutched the undulant neck and leaned her cheek against it. Her face was a mask of agony, her mouth open and the lines of her face taut, the muscles of her throat standing out like cords. Both the girl and the dragon had been worked in detailed colors and lines. I could see the woman’s eyelashes, the individual hairs on her golden head, the fine green scales about the dragon’s eyes, even the droplets of
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