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It occurred to me that writing should aim to do the same, to replicate the feeling of witnessing sexual intercourse, that feeling of anxiety and stupefaction, a suspension of moral judgment.
Throughout this period, I didn’t once listen to any classical music, I preferred songs.
Songs accompanied and legitimized my own experience.
From the very beginning, and throughout the whole of our affair, I had the privilege of knowing what we all find out in the end: the man we love is a complete stranger.
reflected that there was very little difference between this reconstruction and a hallucination, between memory and madness.
‘From September last year, I did nothing else but wait for a man…’
Sometimes I wonder if the purpose of my writing is to find out whether other people have done or felt the same things or, if not, for them to consider experiencing such things as normal. Maybe I would also like them to live out these very
emotions in turn, forgetting that they had once read about them somewhere.)
He had said, ‘You won’t write a book about me.’ But I haven’t written a book about him, neither have I written a book about myself. All I have done is translate into words – words he will probably never read, which are not intended for him – the way in which his existence has affected my life. An offering of a sort, bequeathed to others.
When I was a child, luxury was fur coats, evening dresses, and villas by the sea. Later on, I thought it meant leading the life of an intellectual. Now I feel that it is also being able to live out a passion for a man or a woman.