The Keeper of Happy Endings

by Barbara Davis

When so much has been uprooted—so many things lost—one must seek comfort in rituals. Even the sad ones.

“Dreams are like waves, babe. You have to wait for the right one to come along, the one that has your name on it. And then when it does, you have to get up and ride it. This dream has your name all over it.”

Every soul creates an echo. Like a fingerprint or signature that becomes infused in the things around us. Who we are. Where we belong. What we’re meant to bring to the world. No two echoes are alike. They are ours and ours alone. But they’re incomplete—one half of a perfect whole. Like a mirror without a reflection. And so each echo is constantly seeking its other half, to complete itself. That is what we look for in a reading, a sign that the lovers’ echoes are a match.

People always find a way to justify their hate—and give others an excuse to fall in line. They put words in people’s mouths, plant them like viruses, then watch them spread.

“Fairy tales can be dangerous, Aurore. It’s easy to forget they’re not real. And then, before we know it, we’re lost in them. Which is why we must learn to let go of what’s gone and live with what is.”

I understand that part, not wanting the world to see your sadness. You think you’re the only one, singled out by fate to suffer. You’re not, of course, but it feels that way. The rest of the world is moving forward, living their lives and dreaming their dreams, while you’re frozen, forever suspended in that terrible moment when your world stopped turning and the ground suddenly fell away. You exist in a void, where everything’s empty and endlessly dark, until little by little the light becomes unbearable.

Pain has a way of hardening us, each new heartbreak laying down a fresh layer of protection, like the nacre of a pearl, until we think ourselves impenetrable, immune to both our present and our past. What fools we are to believe it.

There is a grief worse than death. It is the grief of a life half-lived. Not because you don’t know what could have been—but because you do. You realize too late that it was there for the taking—right there in your hands—and you let it slip away. Because you let something—or someone—keep you apart.

Attachments are dangerous things in wartime.”

“We’re all a collection of our stories, chérie. Our joys and sorrows. Our loves and losses. That is who we are, a tally of all our agonies and ecstasies. Sometimes the agonies leave a mark, like a bruise on the soul. We do our best to hide them from the world, and from ourselves too. Because we’re afraid of being fragile. Of being damaged. That’s what makes us kindred spirits, Rory—our bruises.”

To ensure a happy ending, a bride must be willing to give her whole heart to the man she marries. Her spine, however, must at all times remain her own.

The war has taught me that there are all sorts of heroes, and that almost none of them will ever have something shiny pinned to their chests.”

“How a person behaves toward us is never about us, Rory. It’s about them.

“In France we say, tu me manques. It means ‘you are missing from me.’ Not I miss you—the way Americans say it—but you are missing from me. The part of you that is a part of me . . . is gone. This is how it is for her. There’s a void in her life where you used to be, and she doesn’t know how to fill it.”