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Bought for $4 on June 30, 2021 after reading The Haunting of Hill House and while on a Shirley Jackson jag to compare with American short stories by Bret Harte and Mark Twain in an Osher class with David Walton. Read this one in September 2023 for the Second Foundation discussion on October 8, and again in September 2025 for the Beam Me Up book club on October 3.
This is Jackson’s final novel, published in 1962, before she died in 1965 at the all too tragic age of 48. This is a short book for complete misanthropes, or those who are constantly paranoid and looking over their shoulders. While billed as a bit of a mystery novel, this is really a work of literary fiction — a book that burrows deeper and deeper into the concept of what makes isolation as it goes along, and is richly marvelous, though also a summer’s breeze of a read (despite Jackson’s insistent use of semi-colons). It is a semi-autobiographical tale, and the first chapter of the book bears this out….
https://zachary-houle.medium.com/a-review-of-shirley-jacksons-we-have-always-lived-in-the-castle-7640f9c5699a
My review notes:
https://www.goodreads.com/review/show/4161080302
Great writing, with a nightmarish atmosphere coupled with splashes of a clear and macabre humor (e.g, ‘there are some grounds for supposing you an undutiful daughter’). Brilliantly constructed, with a post-modern touch of time and psychic disorientation / disassociation.
Pay attention to the semi-colons; the lovely, lovely semi-colons. Every sentence has its beauty.
Horror atmosphere, like Blake Crouch or Stephen King.
Mash-up of genre: Gothic horror, psychological thriller, murder mystery, comedy of manners, domestic dysfunction, rural gossip and unkindness, the good doctor, evil (or perceived evil - it’s really just people being people, often cruel, sometimes wicked, occasionally kind).
Toward the end, ch.8, the childish but hurtful vandalism of the townspeople resonated with my youthful thoughtless escapades in a couple of abandoned and building in-process mansions.
QUESTIONS:
- Where does this take place? And when? She “remembers.” Time and place. Does it even matter?
- What happened 6 years ago? And 5 months ago?
- Why was MK sent to bed without dinner on the fateful night? Was she always schizo-affective and therefore difficult to deal with?
- What are the mental illnesses of the Blackwoods, surviving and dead? Do we know enough to guess? MK certainly, but Constance? Julian? Mom and Dad?
- What did Merricat think about the people she killed? Why?
“Always” is a sort of catchphrase, with 117 appearances: always did, always said, always have, etc. Routine ‘always’ provides stability and comfort.
The trial and evidence, ch. 2. Everyone knows she’s guilty, e.g., “I cannot seem to remember that that pretty young girl is actually—well.” But knowledge is not proof beyond a reasonable doubt, and circumstantial evidence is not enough to convict. Plus statements (it’s my fault, and those people deserved to die) that can be explained.
FEAR afraid 6, 7,
Mushrooms 1, 73, 90,
The accretion of repeated detail is very powerfully tense and creepy. Neatening, routines, the moon, Charles’s encroachment,
Sheer paranoia with aggressive tendencies (thoughts). Thinks everyone is looking at and talking about her. Solipsism. Of course, she may be right!
Hallucinatory psychosis, e.g., “when she put on a bright print dress it stayed looking bright for a little while before it merged into the dirty grey of the rest.” 11; “the false glorious promises of spring were everywhere, showing oddly through the village grime” 2
Dissociation: retreat to a house on the moon 14
the moon as a safe and comfortable place ; shelter / hiding place
MONEY 22, 47-48, 102, 142,
I love Merricat’s perceptions of others’ thoughts and feelings, especially Constance; and Jonas e.g.,113
“She likes to bury things.” p. 88
MK only “allowed” to do certain things 20, 24, 37, 39,
Are the rules imposed, or her own? Cf. “I decided that from now on I would not be allowed to hand tea cups.” 112. I think she decides what she’s allowed to do. 145 Part of her “arranged pattern” of living.127, 139
Safeguards and warding, shades of my nephew Christopher, with schizo-affective disorder, xx, 41, 70 books are strongly protective, buried objects , objects belonging to another
Is the creek there when I am not? 75. Do the stars shine when no one is there to look? Eve in P.L.
Merricat’s magical system is complicated yet intelligible. E.g., 76,
MK's solipsism sometimes borders on the psychotic (seeing people die and dead; killing people and stomping on their bodies - villagers p. 9 and Charles p. 80), and often on fantasy (e,g., p. 95, “on the moon” 27 times)
Also shades of Dustin Hoffman, autistic savant in Rain Man. E.g., p. 112 Need for patterns
OCD - Checking and re-checking the doors, cleaning and re-cleaning the floors, routines and constants
MK often wishes people are dead, 8, 10, 11, 16, 56, 57, 79, 80, 89,
MK wants to be kinder to Uncle Julian 12, 20, 26, 43, 81, 91, Why? Because he was almost murdered too?
He shows us how others would see them. E.g., 80,
Why do the sisters not take action when Charles is mean to Uncle Julian? E.g., 71, 81,
Punishment is a trigger, 94,
The house has vibes of Hill House 78, 97,
How to clean out the house 97, 98,
MK takes things literally, 125
Sometimes MK is deliberately fantastical, 135, 147
Dignity - Julian’s 91; invulnerable 126; of expectations 139
Stella and Mrs. Clark try gently to be human toward them, but Charles tries to run them and control them. Because he’s a man? Is greedy? And controlling? Or just practical? Question.
Constance is changed by Charles - as if HE casts a spell that is more powerful than Merricat’s. Under his spell, Constance imagines that she can live a normal life - but what of Merricat? And is Constance accurate? Or just wishful? When Merricat breaks the watch, “one thing, at least, had been released from Charles’ spell.” p. 87
>> By page 85, Merricat knows what’s coming if she doesn’t ACT.
The fire scene, ch. 8, is quite exciting.
The sisters find their happy place, 3 times before the fire, 7 times after: ‘very happy’ ‘so happy’
Preserve Julian’s papers, 134, wear uncle Julian’s skins, Merricat wears the skins of the past 137.
Note western Pennsylvania’s scariest house:
https://triblive.com/aande/movies-tv/tv-talk-western-pa-mansion-profiled-on-hgtvs-scariest-house-wpxi-reporter-exits/
Mary Katherine Blackwood.
I live with my sister
Const...
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What books? Why keep them? Wouldn’t such a house have a well-stocked library of its own? What does this say about the TIME in the novel? When is MK writing? Or telling? Question
See next page: “It was on a Friday in late April that I brought the library books into our house…. I chose the library books with care. There were books in our house, of course; our father’s study had books covering two walls, but I liked fairy tales and books of history, and Constance liked books about food.”
We dealt with the small surface transient objects,
underneath we had always a solid foundation of stable possessions.
Blackwoods had always lived in our house,
our house was built up with layers of Blackwood property weighting it, and keeping it steady against the world.
Uncle Julian
A pretty sight, a lady with a book.”
I do not recall that Constance and I have ever opened the library books which are still on our kitchen shelf.
the false glorious promises of spring were everywhere, showing oddly through the village grime.
I rem...
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the women aged with grey evil weariness
stood silently waiting
the Rochester house
the Harler family
Hill Road
River Road
Cl...
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Carri...
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Helen Clarke
Our father brought home the first piano ever seen in the village.
The Shepherds
the Harler junk
along every inch of Blackwood Road is a wire fence built by our father.
The people of the village have always hated us.
If it was a very good day I would later make an offering of jewelry out of gratitude.
we did not accept mail, and we did not have a telephone; both had become unbearable six years before—but
Miss Dutton,
Rochester
Harler
a house which should have belonged ...
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the bright, misleading sunshine of April;
it was as though the people needed the ugliness of the village, and fed on it.
Perhaps the fine houses had been captured—perhaps as punishment for the Rochesters and the Blackwoods and their secret bad hearts?—and
whatever planned to be colorful lost its heart quickly in the village.
I thought about burning black painful rot that ate away from inside, hurting dreadfully. I wished it on the village.
Constance

