A Tale for the Time Being

by Ruth Ozeki

Shouldn’t let your narrative preferences interfere with your forensic work.”

Time interacts with attention in funny ways.

But in the time it takes to say now, now is already over. It’s already then. Then is the opposite of now. So saying now obliterates its meaning, turning it into exactly what it isn’t. It’s like the word is committing suicide or something. So then I’d start making it shorter . . . now, ow, oh, o . . . until it was just a bunch of little grunting sounds and not even a word at all. It was hopeless, like trying to hold a snowflake on your tongue or a soap bubble between your fingertips. Catching it destroys it, and I felt like I was disappearing, too.

nothing in the world is solid or real, because nothing is permanent, and all things—including trees and animals and pebbles and mountains and rivers and even me and you—are just kind of flowing through for the time being.

In reality, every reader, while he is reading, is the reader of his own self. The writer’s work is merely a kind of optical instrument, which he offers to the reader to permit him to discern what, without the book, he would perhaps never have seen in himself. The reader’s recognition in his own self of what the book says is the proof of its truth.