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It is chaos. A storm within a storm as Galien climbs to his feet, turns, deflects a spear-thrust with his sword and takes a man’s head, which thumps into the mud, staring up at the grey sky. A life gone in a half-breath.
‘Serve the Lord with fear, and rejoice with trembling.’
In psalm and parable, threats veiled in riddle. Such men of words and scrawled ink have always set his flesh crawling. The way they swept into a place like an ill wind, their words entwined in the Roman tongue, the spectre of damnation following them like a shadow.
A man builds a castle to keep others out. But this castle, Galien knows as sure as the thump of his heart in his chest, was built to keep something in.
The corpses hang there amongst and above them, naked as infants. A forest of flesh. Unyoked from the earth itself, like souls ascending to heaven. Or descending to Hell.
They all crave violence now, because in violence there is no place for thought, and thought in this place is like a sickness.
‘The hole is the source of the evil,’ the priest replies. ‘It is the mouth of Hell. His Holiness Pope Gregory had the castle built to keep that evil in. To imprison it.’
Located about an hour north of Prague on the top of a steep, rocky cliff in the Czech countryside, Houska Castle is shrouded in myth and legend. The castle was constructed in the second half of the 13th century, probably on the orders of Ottokar II of Bohemia, and it is said to be one of the most haunted places in the world. Strangely for a medieval castle, it was built in a place of no strategic value, surrounded by forest, swamp and mountain. Some of its windows are fake, and its defences were built facing the inner courtyard, rather than facing outward. It is as if the castle was built not
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