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November 13 - November 13, 2021
Several meters away a towering gate stood tall and menacing, not unlike the silent prince standing beside me. Columns—carved from obsidian and depicting people being tortured and murdered in brutal fashions—bracketed two doors made entirely of skulls. Human. Animal. Demon. Some horned, others fanged. All disturbing. My focus landed on what I assumed was the handle: an elk skull with an enormous set of frost-coated antlers.
Fruit trees offered ripe treats from apples to fat pomegranates bursting with seeds, to various citruses. Mist floated above soil near the center, and frost coated the petals of the flowers on the right. The artist’s palette was dark, yet muted. The scene alive, yet frozen. Summer inhabited one side and it was ice-kissed with winter on the other.
I stopped outside a towering set of double doors and traced the delicate carving. A tangle of vines with flowers and stars crawled up the edges and top, while the same vines twisted into roots that plunged into the bowels of the earth at the bottom of the doors. Skeletons and skulls and things left to rot and ruin adorned the lower portion.