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Frightening and confusing, of course, but also, perhaps, wondrous? As a child, she imagined herself swept up by adventure, stepping inside the magical wardrobe, touring the chocolate factory, tessering through time. (Once, when she skinned her knee while playing outside, she even pressed her finger in the tiny wound and smeared a few droplets of blood on her cheek, envisioning herself as a warrior princess in a faraway land, to
Nina’s germophobic dismay.) And now, the fantastic, the unbelievable, had suddenly entered her world. And she was there to witness.
Had the strings arrived in any other century, Maura reasoned, nobody would have dared ask what was inside your box,
leaving each household to quietly mourn or celebrate on their own, behind closed doors and drawn curtains. But not now, not in this modern era when feuds and flirtations played out online, when family milestones, professional achievements, and personal tragedies were all on display.
Maura said, looking across the display. “They’re a reminder that sometimes we screw up, and sometimes the system screws with us, but if you live your life with enough passion and boldness, then that’s what you’ll be remembered for. Not the crap that happened along the way.”
I’d honestly rather think about the war. Do you ever wonder what might have happened if the strings had appeared before WWII? Or any major war? If millions of people across the world—entire generations in some countries—had seen their short strings, would they have known that a war was coming? And would that have been enough to stop it?
“You know, I watched a lot of people come to the end, and everyone around them kept begging them to fight. It takes real strength to keep on fighting, and yes, usually that’s the right answer. Keep fighting, keep holding on, no matter what. But sometimes I think we forget that it also takes strength to be able to let go.”
Sure, it’s pointing to the string inside, but maybe that’s not the only measure we have. Maybe there are thousands of other ways we could measure our lives—the true quality of our lives—that lie within us, not within some box. And, by your
But, in Italy, I think we already knew. We already put the art first, the food first, the passion first,” she explained, a sweep of her arm encompassing the entire shop. “And we already put the family first. We did not need the strings to tell us what is most important.”
For a nation—for a world—with no trouble starting wars, and stoking fears, and standing apart, they hadn’t forgotten how to come together.
arise in the morning torn between a desire to save the world and a desire to savor the world. That makes it hard to plan the day.
What about all the choices that we make, each day? Who we choose to be, and how we choose to love? Every choice that was made to look, or never look, inside the box.
He gripped it tightly in front of him, the same card that had been passed down from
Gertrude to her lover, from Simon to his friend, from Grandpa Cal to his grandson, and from Jack on to him, even when he thought he didn’t want it.
“You know, your friend Javier reminds me of another man I used to know, whose string was also much shorter than it should have been. But he and Javier both made such a difference with their lives. Their impact will be felt for years, even generations,” she said. “In a way, I think the two of them had the longest strings I’ve ever seen.”
Dear B, No matter what happens, I still feel the same. —A
That the beginning and the end may have been chosen for us, the string already spun, but the middle had always been left undetermined, to be woven and shaped by us.
And somewhere, a few blocks north of them, on the edge of the park and just out of earshot, a man on a bicycle pedaled on, with a stereo strapped to his back. His legs labored more than they used to, the wheels turned a little more slowly. But the melody played as clearly as ever, and all the people walking around him, busy and distracted as always, paused for a second and turned their heads, trying to see where the music was coming from.