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If women start to resist an aesthetic, like the overapplication of Photoshop, the aesthetic just changes to suit us; the power of the ideal image never actually wanes.
But our culture has configured women’s liberty as corrosion, and for a long time, there was no way for a woman to be both free and good.
We got, instead of the structural supports and safety nets that would actually make women feel better on a systematic basis, a bottomless cornucopia of privatized nonsolutions: