This question of the women is followed by Naomi’s sarcastic double response, in which she utilizes two wordplays on her name, the first in the form of a command and the second in the form of a question. In the first wordplay (v. 20), she denies the meaning of her name, demanding that she be called Mara, “Bitter” (mara’ comes from the root marar, “to be bitter”), instead of the antonym “Naomi” (“pleasant, beautiful, good”).79 In the second wordplay (v. 21b1), she employs a rhetorical question (“why”) that is intended to reject the identity that her name implies. Both wordplays give the twofold
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