Audrey Webber

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hands that had nurtured and used the bowl every day. A visceral communication spanning thousands of years went though me like I was now holding hands with the maker of this pot. Nakamura-san quipped, “I wish children could go to the Raku Museum and touch the bowls; that’s the only way to appreciate them.”8 I nodded,
Audrey Webber
Holding hands with the creator
Art and Faith: A Theology of Making
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