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With a tightness in my chest I watch Tuula stroke the bear’s furry head, carefully loosening her chains and removing her muzzle, while Bierdna twitches her wet nose with contentment.
The woodsmen took the bear as prisoner, too? Lol! I overlooked a lot of silly things that the author wrote for plot purposes rather than making sense, but this is ridiculous.
“Leave her be,” Gáspár says. His gaze flickers to me briefly, just one caught-breath moment that loops between us like black thread. “You’re going to lose, Nándor. Most of your Woodsmen have already been slain, and it will take weeks for the rest of the army to make its way here from Akosvár. If you surrender now, and call off the rest of your Woodsmen, I will spare your life.”
These characters are all annoying me at this point.
Why are you bargaining? He’s shown over and over why he is ~~irredeemably evil~~. Stab that guy *in the throat* 😐
My arrow looses through the air, quick as a wing beat, and buries itself in Nándor’s throat.
Would she have been able to have a shot at that part of him when he was behind his brother to threaten to cut his throat? I dunno about the mechanics of this, but whatever, I guess.
So much of this book breaks immersion because things happen when the author needs them to rather than following logic and a train of actions.
Like, Evike could have logically killed Nandor way before, in the room she was staying in at the palace, by damaging his hands then moving to his throat. There was nothing stopping her but plot contrivance. The author wanted her to use the skill she cultivated to kill him so that's what happened.
Someday an archivist will shelve a book about the siege of Király Szek in the palace library, and it will document the lives lost, the ground gained, the treaties signed, and the maps redrawn. But it will not say anything about this: a wolf-girl and a Woodsman holding each other in the blood-drenched aftermath, and the clouds cleaving open above them, letting out a gutted light.