Ayesha Farhat

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I don’t like how very much Mithros sounds like Vilmötten. As we approach the altar, I can see the bulging sinew of Mithros’s bare thighs, and the appendage hanging between them. It makes me wonder how Gáspár ended up so fretfully prudish when he’s spent his life worshipping at the feet of some lusty naked man’s statue.
The Wolf and the Woodsman
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