From the window, we saw a group of two dozen men in white-and-blue sweatshirts with garden hoes methodically rising in their hands and then falling to the earth. Their bodies were set against a backdrop of trees that had tumbled into autumn, draping them in a volcanic sea of red and orange. It had been one thing to see Black men laboring in the fields of Angola in photographs but it was quite different to see it in person. The parallel with chattel slavery made it feel as if time was bending in on itself. There was no need for metaphor; the land made it literal.
