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by
Clint Smith
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February 9 - February 18, 2024
The echo of enslavement is everywhere. It is in the levees, originally built by enslaved labor. It is in the detailed architecture of some of the city’s oldest buildings, sculpted by enslaved hands. It is in the roads, first paved by enslaved people. As historian Walter Johnson has said about New Orleans, “The whole city is a memorial to slavery.” New Orleans is my home. It is where I was born and raised. It is a part of me in ways I continue to discover. But I came to realize that I knew relatively little about my hometown’s relationship to the centuries of bondage rooted in the city’s soft
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so many people—specifically white people—often have understood slavery, and those held in its grip, only in abstract terms. They do not see the faces. They cannot picture the hands. They do not hear the fear, or the laughter. They do not consider that these were children like their own, or that these were people who had birthdays and weddings and funerals; who loved and celebrated one another just as they loved and celebrated their loved ones.

