Joey Dussel

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There’s a completely different aesthetic when you’re in a theater: The screen is huge, everything else in the room is dark, there are (hopefully) no distractions, you are there for at least two hours; you can’t stop the film at your convenience. And so, understandably, feature editing has to be paced differently than musicvideo or commercial editing. What can be done to help with this problem of size, the miniature vs. the mural?
In the Blink of an Eye: A Perspective on Film Editing
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