The Art of Seduction
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Society is in a state of constant flux, but there is something that does not change: the vast majority of people conform to whatever is normal for the time. They play the role allotted to them. Conformity is a constant because humans are social creatures who are always imitating one another. At certain points in history it may be fashionable to be different and rebellious, but if a lot of people are playing that role, there is nothing different or rebellious about it.
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Human beings are immensely suggestible; their moods will easily spread to the people around them. In fact seduction depends on mimesis, on the conscious creation of a mood or feeling that is then reproduced by the other person.
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the more obviously you pursue a person, the more likely you are to chase them away.
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In a world of bluff and smoke, real action and true helpfulness are perhaps the ultimate charm.
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Never mistake people’s exterior characteristics for reality, for the character they show on the surface may be merely a reflection of the people with whom they have been most in contact, or a front disguising its own opposite. A gruff exterior may hide a person dying for warmth; a repressed, sober-looking type may actually be struggling to conceal uncontrollable emotions. That is the key to charm—feeding what has been repressed or denied.
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boredom is the ultimate social evil.
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Nobody in this world feels whole and complete. We all sense some gap in our character, something we need or want but cannot get on our own.
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Most of us understand that certain actions on our part will have a pleasing and seductive effect on the person we would like to seduce. The problem is that we are generally too self-absorbed: We think more about what we want from others than what they could want from us.
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We can never really understand the opposite sex. They are always mysterious to us, and it is this mystery that provides the tension so delightful in seduction; but it is also a source of unease.
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Most of us are much too obvious—instead, be hard to figure out. Send mixed signals: both tough and tender, both spiritual and earthy, both innocent and cunning. A mix of qualities suggests depth, which fascinates even as it confuses.
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The idea that two distinct elements are combined in Mona Lisa’s smile is one that has struck several critics. They accordingly find in the beautiful Florentine’s expression the most perfect representation of the contrasts that dominate the erotic life of women; the contrast between reserve and seduction, and between the most devoted tenderness and a sensuality that is ruthlessly demanding—consuming men as if they were alien beings. —SIGMUND FREUD, LEONARDO DA VINCI AND A MEMORY OF HIS CHILDHOOD, TRANSLATED BY ALAN TYSON
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There is nothing like a restaurant full of empty tables to persuade you not to go in.
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Glances are the heavy artillery of the flirt: everything can be conveyed in a look, yet that look can always be denied, for it cannot be quoted word for word.
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Finally, the reason insinuation works so well is not just that it bypasses people’s natural resistance. It is also the language of pleasure. There is too little mystery in the world; too many people say exactly what they feel or want.
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It is more persuasive to appeal to people’s hearts than their heads.
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Never tell someone what you are feeling; let them guess it in your looks and gestures. That is the more convincing language.
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“Thank you for existing.”
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What I need is a woman who is something, anything; either very beautiful or very kind or in the last resort very wicked; very witty or very stupid, but something. —ALFRED DE MUSSET
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Besides, in a world that is harsh and full of disappointment, it is a great pleasure to be able to fantasize about a person you are involved with. This makes the seducer’s task easy: people are dying to be given the chance to fantasize about you. Do not spoil this golden opportunity by overexposing yourself, or becoming so familiar and banal that the target sees you exactly as you are.
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No one is born timid; timidity is a protection we develop. If we never stick our necks out, if we never try, we will never have to suffer the consequences of failure or success.