Yet to read of Desdemona in the arms of a black man was, Abigail found, not the same as seeing it before her eyes. “Othello [played by John Kemble] was represented blacker than any African,” she wrote. Whether it was from “the prejudices of education” or from a “natural antipathy,” she knew not, “but my whole soul shuddered whenever I saw the sooty heretic Moor touch the fair Desdemona.” Othello was “manly, generous, noble” in character, so much that was admirable. Still she could not separate the color from the man. Filled with self-reproach, she affirmed that there was “something estimable”
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