The Knowledge Machine: How Irrationality Created Modern Science
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POPPER AND KUHN, though different in so many ways, were equally right about some exceptionally important things.
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Is it the rule that’s irrational? Or those who believe in the guiding power of beauty?
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Appeals to aesthetics have no place in public scientific argument, insists the iron rule. This ban on beauty is also an attack on reason: elegance often, if not always, points the way to truth.
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BALANCE, BEAUTY, SYMMETRY. For all its dust, dirt, and motley ways of death, the universe has a good measure of these ethereal properties—a nobility of structure and an elegance in the fine texture, or so most of us would like to believe. There is a way in which, considered as an aesthetic whole, the world makes sense.
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Galileo yearned to know the nature of light. “I had always felt so unable to understand what light is,” he wrote to a friend, “that I would gladly have spent all my life in jail, fed with bread and water, if only I was assured that I would eventually attain that longed-for understanding.”
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Science is not light; it is not promulgated by a star. Nor is it a golem, a glass slipper, a neurasthenic bird, or a coral reef. It is not, indeed, a machine. It is a social institution. It could not be brought into existence by a celestial body or by a magical incantation.