It is not the Nazi Party that gets to decide for me what interpretation to place on the fylfot. I call upon the long history of the symbol; that is what is important to me. I hope that once people see the fylfots, they will think of them every time they sit in the choir stalls, and connect them to the Cathedral and to the Bishop of Edington rather than to German fascists. The Edington sculptor used the symbol in all innocence. I have used it as an act of subversion. A single thread can make quite a difference.”
