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Not that what I was doing was suicide. In fact, it was the opposite of suicide. My hibernation was self-preservational. I thought that it was going to save my life.
“I miss you,” she said, her voice cracking a little. Maybe she thought those words would break through to my heart. I’d been taking Nembutals all day. “We probably shouldn’t be friends,” I told her, stretching out on the sofa. “I’ve been thinking about it, and I see no reason to continue.” Reva just sat there, kneading her hands against her thighs.
I thought that if I did normal things—held down a job, for example—I could starve off the part of me that hated everything. If I had been a man, I may have turned to a life of crime. But I looked like an off-duty model. It was too easy to let things come easy and go nowhere.
There were moments when I was little, my mother could make me feel very special, stroking my hair, her perfume sweet and light, her pale, bony hands cool and jangling with gold bracelets, her frosted hair, her lipstick, breath woody with smoke and stringent from booze. But the next moment she’d be in a haze, distracted, suffering from some grave fear or worry and struggling to put up with even the thought of me.
And during this lull in the drama of sleep, I entered a stranger, less certain reality. Days slipped by obliquely, with little to remember, just the familiar dent in the sofa cushions, a froth of scum in the bathroom sink like some lunar landscape, craters bubbling on the porcelain when I washed my face or brushed my teeth. But that was all that went on. And I might have just dreamt up the scum. Nothing seemed really real. Sleeping, waking, it all collided into one gray, monotonous plane ride through the clouds. I didn’t talk to myself in my head. There wasn’t much to say. This was how I knew
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I suppose a part of me wished that when I put my key in the door, it would magically open into a different apartment, a different life, a place so bright with joy and excitement that I’d be temporarily blinded when I first saw it.
“My mom died,” Reva said during a commercial break. “Shit,” I said. What else could I have said? I pulled the blanket across our laps. “Thanks,” Reva said again, crying softly this time. The ghoulish voice of the TV show’s male narrator and Reva’s sniffles and sighs should have lulled me to sleep. But I could not sleep. I closed my eyes. When the next episode, about crop circles, started, Reva poked me. “Are you awake?” I pretended I wasn’t. I heard her get up and put her shoes back on, ticktock to the bathroom, blow her nose. She left without saying good-bye. I was relieved to be alone again.
DR. TUTTLE HAD WARNED ME of “extended nightmares” and “clock-true mind trips,” “paralysis of the imagination,” “perceived space-time anomalies,” “dreams that feel like forays across the multiverse,” and “trips to ulterior dimensions,” et cetera. And she had said that a small percentage of people taking the kind of medications she prescribed for me reported having hallucinations during their waking hours. “They’re mostly pleasant visions, ethereal spirits, celestial light patterns, angels, friendly ghosts. Sprites. Nymphs. Glitter. Hallucinating is completely harmless.
She looked like she’d been much more interesting before she left for college—a Goth, a freak, a punk, a reject, a delinquent, an outcast, a fuckup. As long as I’d known her, she’d been a follower, a plebeian, straitlaced and conformist. But it seemed as though she’d had a rich, secretive interior life in high school, with desires beyond the usual drinking and foosball soirees suburban Long Island had to offer.
Reva scratched at an itch that, on my own, I couldn’t reach. Watching her take what was deep and real and painful and ruin it by expressing it with such trite precision gave me reason to think Reva was an idiot, and therefore I could discount her pain, and with it, mine. Reva was like the pills I took. They turned everything, even hatred, even love, into fluff I could bat away. And that was exactly what I wanted—my emotions passing like headlights that shine softly through a window, sweep past me, illuminate something vaguely familiar, then fade and leave me in the dark again.
I wouldn’t die like my father did, passive and quiet while the cancer ate him alive. At least my mother did things her own way. I’d never thought to admire her before for that. At least she had guts. At least she took matters into her own hands.
Suddenly I felt very strange, as though my head had come off and was floating three inches above the stump of my neck. I got out of bed and went to the windows and ticked open a slat in the blinds and looked out. I fixed my eyes east toward the bleak horizon over the river, perfectly visible through the trees in Carl Schurz Park, which were black and skeletal. The branches undulated tauntingly against the pale afternoon, then stopped, froze, and trembled. Why were they shaking like that? What was wrong with them? They looked like a videotape in fast-forward. My VCR. My head floated a few
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Locked inside, the only way out would be through the windows. I figured that if I jumped out while I was on the Infermiterol, it would be a painless death. A blackout death. I’d either wake up safe in the apartment, or I wouldn’t. It was a risk I’d take forty times, every three days. If, when I woke up in June, life still wasn’t worth the trouble, I would end it. I would jump. This was the deal I made.
But by the end of May, I sensed that I was going to grow restless soon. A prediction. The sound of tires on the wet pavement. A window was open so I could hear it. The sweet smell of spring crept in. The world was out there still, but I hadn’t looked at it in months. It was too much to consider it all, stretching out, a circular planet covered in creatures and things growing, all of it spinning slowly on an axis created by what—some freak accident? It seemed implausible. The world could be flat just as easily as it could be round. Who could prove anything? In time, I would understand, I told
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Sleep was coming for me. I knew the sound of it by now, the foghorn of dead space that put me on autopilot while my conscious self roamed like a goldfish. The sound got louder until it was almost deafening, and then it stopped. In that silence, I began to drift down into the darkness, descending at first so slowly and steadily, I felt I was being lowered on pulleys—by angels with gold-spun ropes around my body, I imagined, and then by the electric casket lowering device they used at both my parents’ burials, and so my heart quickened at that thought, remembering that I’d had parents once, and
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The gray mist obscured my vision. Had I crossed the seal? Was the world crumbling? Calm, calm, I told myself. I could feel gravity sucking me deeper, time accelerating, the darkness around me, widening until I was somewhere else, somewhere with no horizon, an area of space that awed me in its foreverness, and I felt calm for just a moment. Then I recognized that I was floating without a tether. I tried to scream but I couldn’t. I was afraid. The fear felt like desire: suddenly I wanted to go back and be in all the places I’d ever been, every street I’d walked down, every room I’d sat down in.
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The notion of my future suddenly snapped into focus: it didn’t exist yet. I was making it, standing there, breathing, fixing the air around my body with stillness, trying to capture something—a thought, I guess—as though such a thing were possible, as though I believed in the delusion described in those paintings—that time could be contained, held captive. I didn’t know what was true. So I did not step back. Instead, I put my hand out. I touched the frame of the painting. And then I placed my whole palm on the dry, rumbling surface of the canvas, simply to prove to myself that there was no God
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I breathed and walked and sat on a bench and watched a bee circle the heads of a flock of passing teenagers. There was majesty and grace in the pace of the swaying branches of the willows. There was kindness. Pain is not the only touchstone for growth, I said to myself. My sleep had worked. I was soft and calm and felt things. This was good. This was my life now. I could survive without the house. I understood that it would soon be someone else’s store of memories, and that was beautiful. I could move on.
Each time I see the woman leap off the Seventy-eighth floor of the North Tower—one high-heeled shoe slipping off and hovering up over her, the other stuck on her foot as though it were too small, her blouse untucked, hair flailing, limbs stiff as she plummets down, one arm raised, like a dive into a summer lake—I am overcome by awe, not because she looks like Reva, and I think it’s her, almost exactly her, and not because Reva and I had been friends, or because I’ll never see her again, but because she is beautiful. There she is, a human being, diving into the unknown, and she is wide awake.