It’s tempting to define talent comparatively, but you are not in competition with anyone but yourself. You are trying to be a better writer (or lover, or friend, or human) today than you were yesterday. Bettering anyone else is entirely without consequence. But how do you know you’ve done that? How can you tell if you’ve improved, if you are ‘any good’ without relying on the barometer of other people’s acceptance, approval or recognition? The creative compass is the instinct that drew you to your discipline in the first place, and when you are in connection with it, it will tell you everything
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