The Testaments (The Handmaid's Tale, #2)

by Margaret Atwood

Forbidden things are open to the imagination. That was why Eve ate the Apple of Knowledge, said Aunt Vidala: too much imagination. So it was better not to know some things. Otherwise your petals would get scattered.

I was pleased with this story. It was only later that I pondered it: how could Job have allowed God to fob off a batch of new children on him and expect him to pretend that the dead ones no longer mattered?

Aunt Vidala said that best friends led to whispering and plotting and keeping secrets, and plotting and secrets led to disobedience to God, and disobedience led to rebellion, and girls who were rebellious became women who were rebellious, and a rebellious woman was even worse than a rebellious man because rebellious men became traitors, but rebellious women became adulteresses.

These kids could hardly burp without some adult pointing a camera at them and telling them to do it again—as if they lived their lives twice, once in reality and the second time for the photo.

In that vanished country of mine, things had been on a downward spiral for years. The floods, the fires, the tornadoes, the hurricanes, the droughts, the water shortages, the earthquakes. Too much of this, too little of that. The decaying infrastructure—why hadn’t someone decommissioned those atomic reactors before it was too late? The tanking economy, the joblessness, the falling birth rate.

Why did I think it would nonetheless be business as usual? Because we’d been hearing these things for so long, I suppose. You don’t believe the sky is falling until a chunk of it falls on you.