Kazuo Ishiguro

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When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn’t really you, what you were doing, I know that. But I saw you and it broke my heart. And I’ve never forgotten.”
Kazuo Ishiguro
I have to admit I was never fully committed to the idea expressed here by Madame: that the world of NLMG was ‘more scientific, efficient’, but also more ‘harsh, cruel’ than those that had come before. Less ‘scientific’ eras have produced genocide, slavery, cruelty and horror on a scale Kathy and Tommy would find hard to comprehend. The dystopian aspects of the novel were, I feel, essentially a convenient device – something to allow me to create the metaphor about mortality and the human condition for which I was striving. However, as often happens in the writing of a novel, secondary themes introduced for some practical purpose began to demand attention, and to shade into a genuine preoccupation. By the end of the writing of this book, I’d become far more interested in the big questions about science and technology – and how we might adapt to accommodate their major breakthroughs – than when I started.
Sanem
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Sanem
Thank you for a lot more different point of view for this lovely lovely book Erica:)
Gayle Adams
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Gayle Adams
Erica's comment speaks to the earlier response from S Moss perfectly. People do love to bang on about the British class system, but at least it's out there in the open. I'm Australian, but I think any…
Ellen Klock
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Ellen Klock
It was interesting that other clones were not treated “humanely” since they were viewed as spare parts and not as human beings.
Never Let Me Go
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