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He recalled a concept from the Jewish mystics—rishima—“the imprint an experience leaves.” They believed that if you endured something and let it pass without memory or reflection, if you didn’t change after having gone through it, it was as if the event had never happened. But if an experience left an imprint, if it inspired growth or altered the course of your life, then, according to the mystics, even the most painful and challenging experiences become a blessed teacher.
“The tricky thing about grief,” his mom said, “is that even when we know it’s coming, we underestimate our own capacity for suffering.”
I guess I get out of bed because I think about the connection that we all have, this fragile humanity, each of us insignificant and at the same time precious. A continuation of a species that is recklessly unique. I remember that life is a finite gift, and I’d be an asshole to waste it.”
“There’s this Hebrew meditation I read about. It’s called husa, and it means, roughly, ‘compassion for something that is flawed.’ Husa is acceptance, devoid of judgment. The kind of love an artist has for their creation, even as they recognize its imperfection.
so much of letting other people in involved listening to yourself.
One is rest from weariness, respite when our bodies and minds are worn down. Tired. We rest only so we might wake up and continue working. This first rest—sleep—brings relief, but not joy. The second type of rest, the one Naomi had never really considered, came only at the end of reaching a goal, never in the middle. This was the rest of release. Of knowing that one had done something or made something worthy of satisfaction. Menuhat margoa, rest in achievement. Rest that brings peace.
“One of the best things about love, real love, is that it doesn’t demand perfection. It simply invites us to live up to our potential.”

