No One Is Talking About This

by Patricia Lockwood

White people, who had the political educations of potatoes—lumpy, unseasoned, and biased toward the Irish—were suddenly feeling compelled to speak out about injustice. This happened once every forty years on average, usually after a period when folk music became popular again. When folk music became popular again, it reminded people that they had ancestors, and then, after a considerable delay, that their ancestors had done bad things.

The word toxic had been anointed, and now could not go back to being a regular word. It was like a person becoming famous.

We took the things we found in the portal as much for granted as if they had grown there, gathered them as God’s own flowers. When we learned that they had been planted there on purpose by people who understood them to be poisonous, who were pointing their poison at us, well.

“I have a theory,” she said to the crowd, and then paused, for somewhere she thought she heard someone groan. She tried to resume, but couldn’t recall what she was going to say—something about being a woman in our time.

“Surely there must be exceptions,” her father ventured, the man who had spent his entire existence crusading against the exception. His white-hairy hand traveled to his belt, the way it always did when he was afraid. He did not want to live in the world he had made, but when it came right down to it, did any of us?