The Best of Me

by David Sedaris

If you read an essay in Esquire and don’t like it, there could be something wrong with the essay. If it’s in The New Yorker, on the other hand, and you don’t like it, there’s something wrong with you.

If something is written in your native language and it’s taking you half a year to get through it, unless you’re being paid by the hour to read it, I’d say there’s a problem.

I expect someday to open the newspaper and discover the government had used that campus as part of a perverse experiment to study the effects of continuous, high-decibel Pink Floyd albums on the minds of students who could manufacture a bong out of any given object but could not comprehend that it is simply not possible to drive a van to Europe.

Asking for candy on Halloween was called trick-or-treating, but asking for candy on November first was called begging, and it made people uncomfortable. This was one of the things you were supposed to learn simply by being alive, and it angered me that the Tomkeys did not understand it.

What she thought about while looking at the waves was a complete mystery, yet you could tell that these thoughts pleased her, and that she liked herself better while thinking them.

My sister needed patience and understanding, but more often than not, I found myself wanting to shake her. If the oldest wasn’t who she was supposed to be, then what did it mean for the rest of us?

I might reinvent myself to strangers, but to this day, as far as my family is concerned, I’m still the one most likely to set your house on fire.

I’d asked her the same question and she’d said, “Oh, fine. You know.” She’s afraid to tell me anything important, knowing I’ll only turn around and write about it. In my mind, I’m like a friendly junkman, building things from the little pieces of scrap I find here and there, but my family’s started to see things differently. Their personal lives are the so-called pieces of scrap I so casually pick up, and they’re sick of it. More and more often their stories begin with the line “You have to swear you will never repeat this.” I always promise, but it’s generally understood that my word means nothing.

Normally, Lisa’s the type who talks from one end of the picture to the other. A character will spread mayonnaise onto a chicken sandwich and she’ll lean over, whispering, “One time, I was doing that? And the knife fell into the toilet.” Then she’ll settle back in her seat and I’ll spend the next ten minutes wondering why on earth someone would make a chicken sandwich

much for my dad to carry on about. When fall arrived, he

I’m not sure how it is in small families, but in large ones relationships tend to shift over time. You might be best friends with one brother or sister, then two years later it might be someone else. Then it’s likely to change again, and again after that. It doesn’t mean that you’ve fallen out with the person you used to be closest to but that you’ve merged into someone else’s lane, or had him or her merge into yours. Trios form, then morph into quartets before splitting into teams of two. The beauty of it is that it’s always changing.

Mates, to my sisters and me, are seen mainly as shadows of the people they’re involved with. They move. They’re visible in direct sunlight. But because they don’t have access to our emotional buttons—because they can’t make us twelve again, or five, and screaming—they don’t really count as players.

The clothes they sell are new but appear to have been previously worn, perhaps by someone who was shot or stabbed and then thrown off a boat. Everything looks as if it has been pulled from the evidence rack at a murder trial. I don’t know how they do it. Most distressed clothing seems obviously fake, but not theirs, for some reason. Do they put it in a dryer with broken glass and rusty steak knives? Do they drag it behind a tank over a still-smoldering battlefield? How do they get the cuts and stains so…right?

Happiness is harder to put into words. It’s also harder to source, much more mysterious than anger or sorrow, which come to me promptly, whenever I summon them, and remain long after I’ve begged them to leave.

While I know I can’t control it, what I ultimately hope to recall about my late-in-life father is not his nagging or his toes but, rather, his fingers, and the way he snaps them when listening to jazz. He’s done it forever, signifying, much as a cat does by purring, that you may approach. That all is right with the world. “Man, oh man,” he’ll say in my memory, lifting his glass and taking us all in, “isn’t this just fantastic?”